Awards | Category Nominations | Diamond | ***** | **** | *** | ** | *
Watch a selection of 2025 entries online here.
Watch a selection of 2025 entries online here.
BIAFF 2025
TWO STAR AWARDS
click on pictures to enlarge
Title |
Film Maker / From |
Abacus |
Albert Noble / London |
All in a Days Work |
Jane Oliver / Halstead |
Awakening |
Martin Zenorini / Brazil |
Blackbird |
Lox Pratt, Thomas Connor, Rafael De Belligny / London |
BVC Ukulele Song |
Bournemouth Video Club / Bournemouth |
Celestial Dance and a Scoop of Detergent |
Natasha Ludema & Elena Zuliani / Netherlands |
Choir, The |
Patrick Duggan / Manchester |
Christmas Calypso |
Michael Camps / Isle of Wight |
Fast Sale |
Steven Lancefield / UK |
Fear That Gives Men Wings, The |
Gareth Eardley / UK |
Title |
Film Maker / From |
Fight the Good Fight |
Bristol Film and Video Society / Bristol |
Foreigners |
Vittorio Caratozzolo & Class 3 A (2023-24) / Italy |
Friend in Need, A |
EBOFF Films / Enfield |
Frog Calypso |
Michael Camps / Isle of Wight |
Going Up and Down |
Mark Allen / Belfast |
Grown Up |
Marcia Mihotich / London |
Guinness Punch |
Peter L. Pinnock / London |
Hairy Hands |
Teign Film Makers / Teign |
Harrowbeer 1940s Weekend |
Pip Critten / Plymouth |
Haunted Summer |
Melody Le Couster Johansson / France |
Title |
Film Maker / From |
I, Reboot |
Vittorio Caratozzolo & Class 3 A (2023-24) / Italy |
Iced Coffee |
Bella Hunter / Derbyshire |
I'm a Ghost |
Colin Harrison / UK |
Incontinent Truth, An |
Samantha Pillay / Australia |
Jambo |
Santa Fe Youth Film Club / USA |
JAMBO (5 mins.) |
Ilysa Spencer / USA |
Land of the Long White Cloud, The |
Mark Allen / Belfast |
Laura |
Ken Wilson / Wakefield |
Librarian, The |
Pete Mason / Monmouth |
Listen |
Char Lee / Doncaster |
Title |
Film Maker / From |
Little Bit of Rock, A |
Jill K. Bunting / Glan Conwy |
Love and Toil |
Ingrid Ulst / Estonia |
Lover Boy |
Patrick Duggan / Manchester |
M.A.N.I.C.S. On The Move |
Larry Hall / Sheffield |
Mad World |
Colin Harrison / UK |
Maki |
Pedro Gonzales / Colchester |
Man from Galilee and Easter Week, The |
Paula Clare / Gloucester |
Mastermind Meltdown |
Bournemouth Video Club / Bournemouth |
My Lonely Lockdown Walk |
Glynis Harrison / Birmingham |
New App, The |
Dr. Frank Dietrich / Germany |
Title |
Film Maker / From |
No Superhero Capes |
Marusya Shuvalova / Ukraine |
Nostalgia |
Hailiang Duan / Japan |
Nutcracker |
Chris Morgan / Southwater |
Old Man, The |
Patrick Duggan / Manchester |
Osmosis |
Dave Lojek / Germany |
Our Flags, "New Glory" |
Kim-Jimi / USA |
Papa Punch |
Alan Scrymgeour / Dereham |
Power of Water, The |
Marusya Shuvalova / Ukraine |
Replacement |
Sutton Coldfield Movie Makers / Sutton Coldfield |
Rigoli Affair, The |
Vittorio Caratozzolo & Class 3 A (2023-24) / Italy |
Title |
Film Maker / From |
Ring o' Roses |
Jane McIlroy / Bangor (NI) |
Safe |
Mark Allen / Belfast |
Seashore Grass |
Roy De Boise / Wallington |
Seeds We Sow, The |
Arthur & Ann Fletcher / Birmingham |
Skull and Xbone |
Albert Noble / London |
Smugglers Rest |
Steven Lancefield / UK |
Spacetime Blues |
Hans Starlife / Sweden |
Squid, The |
Peter Wischhusen / Shirley |
Still Life |
Steve Oldfield / Norwich |
Still Life |
John Howden / Chelmsford |
Title |
Film Maker / From |
Transformation |
Jane McIlroy / Bangor (NI) |
Trial of Don Giovanni, The |
Vittorio Caratozzolo & Class 3 A (2023-24) / Italy |
Tribute to The Midland Railway, A |
Char Lee / Doncaster |
Truly Crackers Christmas, A |
Brian Yui / UK |
Tuatha |
Jane McIlroy / Bangor (NI) |
Ukrainian Refugees in South Wales |
Roy De Boise / Wallington |
Vogalonga |
Malcolm Imhoff / Sutton Coldfield |
Woman in the Red Hat |
EBOFF Films / Enfield |
Worlds Apart |
Mark Ellen / Belfast |
Two Stars means
The work is a ‘Near Miss’ by the filmmaker. They may have tried some brave or novel ideas which the judges believed didn’t work. Apart from shortcomings in the concept, there may have been technical or constructional issues: Cinematography may be inadequate with little sign of attractive or well-composed images. Sound may be uneven. Story may feel too long. The film may fail to show an adequate sense of purpose/structure/timing. Voiceover may state the obvious. Editing may not flow.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
The work is a ‘Near Miss’ by the filmmaker. They may have tried some brave or novel ideas which the judges believed didn’t work. Apart from shortcomings in the concept, there may have been technical or constructional issues: Cinematography may be inadequate with little sign of attractive or well-composed images. Sound may be uneven. Story may feel too long. The film may fail to show an adequate sense of purpose/structure/timing. Voiceover may state the obvious. Editing may not flow.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.