Adventures In The Forbidden Zone
|
All The Lonely people
|
Anori (Breath)
|
Back To Zero
|
Title |
Film Maker / From |
Adventures In The Forbidden Zone |
Larry Hall / Sheffield, UK |
All The Lonely People |
Larry Hall / Sheffield, UK |
Anori (Breath) |
Shiree Jetha / Canada |
Back To Zero |
Daniel Gutierrez / USA |
Bare Necessities |
Larry Hall / Sheffield, UK |
Behind the Scenes with Pip Critten, Improving Lives and Fotonow |
Pip Critten / Plymouth, UK |
Bell Book and Candle |
Dave Skertchly / Hampshire, UK |
Bernard and Rashna: A Swiss-Indian Story |
Samuel Max Bossart / Switzerland |
Bare Necessities
|
Behind the Scenes with Pip Critten, Improving Lives and Fotonow
|
Bell Book and Candle
|
Bernard and Rashna: A Swiss-Indian Story
|
Beyond the Clouds
|
Birdies
|
Breakfast with Epithumia .... Desire
|
Carnival Capers
|
Title |
Film Maker / From |
Beyond the Clouds |
Andrew Imai / USA |
Birdies |
Franka Bogović, Oleksandr Saško Moskalov / Croatia |
Breakfast with Epithumia .... Desire |
Howard Johnson / Worthing, UK |
Carnival Capers |
Howard Johnson / Worthing, UK |
Chianti Hills |
Andrew Tweed / Essex, UK |
Chocolate King's Lost Paradise, The |
Guido Haesen / Luxembourg |
Cosmic Crossover |
Shiree Jetha / Canada |
Cotswold Apiary, A |
Kate Peake / Gloucestershire, UK |
Chianti Hills
|
The Chocolate King's Lost Paradise
|
Cosmic Crossover
|
A Cotswold Apiary
|
Crane Rest
|
Dad?!Dad?!
|
Disappearing
|
Dreambrew
|
Title |
Film Maker / From |
Crane Rest |
Klaus Menzer / Germany |
Dad?! |
Howard Smith / Wolverhampton, UK |
Disappearing |
Mia Ðurkan / Croatia |
Dreambrew |
Ben Bayliss / London, UK |
Epic Comedy, An |
Howard Johnson / Worthing, UK |
Exploring Bermondsey SE1 |
Graham Ralls / Croydon, UK |
Final Transmission |
Sean Coleman / Berkshire, UK |
Frightseers: Gran |
Geoff Harmer / Hampshire, UK |
An Epic Comedy
|
Exploring Bermondsey SE1
|
Final Transmission
|
Frightseers: Gran
|
Green No More: Death of an English Town
|
Handel by Candle
|
The Hinde
|
I am Woman: Blossom & Blooms
|
Title |
Film Maker / From |
Green No More: Death of an English Town |
Martin Bickell / Hertfordshire, UK |
Handel by Candle |
James Hypher / Dorset, UK |
Hinde, The |
Graham Ralls / Croydon, UK |
I am Woman: Blossom & Blooms |
Shiree Jetha / Canada |
I Love a Cup of Coffee |
Martin Bickell / Hertfordshire, UK |
In the Wake of the Wind |
Guido Haesen / Luxembourg |
Jane Austen in Bath |
Kate Peake / Gloucestershire, UK |
Japan-Day, Encounters |
Bernhard Zimmerman / Germany |
I Love a Cup of Coffee
|
In the Wake of the Wind
|
Jane Austen in Bath
|
Japan-Day, Encounters
|
Killa
|
The Last Goodbye
|
Last Leaf Standing
|
Let Me Sleep
|
Title |
Film Maker / From |
Killa |
Howard Smith / Wolverhampton, UK |
Last Goodbye, The |
Jane Keen / USA |
Last Leaf Standing |
Bob Rowley / UK |
Let Me Sleep |
Marcus Napieralla / Germany |
Live. Die. Survive. |
Ian Morris / London, UK |
London Pride |
Martin Bickell / Hertfordshire, UK |
Lost City of Stone, Petra |
Shiree Jetha / Canada |
Meet Walter |
Ken Wilson / Wakefield, UK |
Live. Die. Survive
|
London Pride
|
Lost City of Stone, Petra
|
Meet Walter
|
Never Gave Up (NGUP)
|
No Mercy
|
The Old Mill
|
Patterns Made by People
|
Title |
Film Maker / From |
Never Gave Up (NGUP) |
Olivia Bart-Plange, Savannah Bart-Plange, Ami Sarpeh / UK |
No Mercy |
Tynemouth Video Group / UK |
Old Mill, The |
Martin Sunderland / Leeds, UK |
Patterns Made by People |
Richard Scarsbrook / Trafford, UK |
Pointe |
Kai Raffaele / USA |
Rachmaninov with Ice |
James Hypher / Dorset, UK |
Reflections |
Cameron Gilroy - Surrey Borders Movie Makers / UK |
Pointe
|
Rachmaninov with Ice
|
Reflections
|
Reve en Paris (Dream in Paris)
|
Ruska
|
Sayonara
|
Secret Agent Man
|
Title |
Film Maker / From |
Rêve en Paris (Dream in Paris) |
Patrick Woodcock / Atherstone, UK |
Ruska |
Jaakko Kelaranta / Finland |
Sayonara |
Danil Nozdrin / France |
Secret Agent Man |
Larry Hall / Sheffield, UK |
Skinny Dip |
Donal O'Dea / Ireland |
Snow Globes |
Carson Honor / Ireland |
Squeeze (Quarto Minguante) |
Maria Luisa Borges / The Azores |
Starved |
Tisky Harkins / USA |
Skinny Dip
|
Snow Globes
|
Squeeze (Quarto Minguante)
|
Starved
|
The Story Of The Four Bagels And The One Empanada
|
This Thing Called Love
|
Tramp
|
The Tree
|
Title |
Film Maker / From |
Story Of The Four Bagels And The One Empanada, The |
David Reibman / USA |
This Thing Called Love |
Patrick Duggan / Manchester, UK |
Tramp |
Dan Bekker / Netherlands |
Tree, The |
Viktor Blokland / Netherlands |
Turn Left to Murder |
Alexander Annunziato / Sutton Coldfield, UK |
Ug the Pottery Caveman |
Dave Skertchly / Hampshire, UK |
Valentin |
Graham Ralls / Croydon, UK |
View from Above |
Nigel Malka - Nuneaton Movie Makers / UK |
Turn Left to Murder
|
Ug the Pottery Caveman
|
Valentin
|
View from Above
|
Virtual Video Group TV 2025
|
W: A Return to Oz
|
Water Star Medicine
|
What If ???
|
Title |
Film Maker / From |
Virtual Video Group TV 2025 |
Alan McDonald Sinclair / Caithness, UK |
W: A Return to Oz |
Daniel Howard-Baker / London, UK |
Water Star Medicine |
Lisa Spencer / USA |
What If ??? |
Larry Hall / Sheffield, UK |
What to do? |
David Mora / UK |
Will Be Called For Again |
Richard Brown / West Midlands, UK |
You've Been Framed |
Roger Fowles / Kent, UK |
What to do?
|
Will Be Called For Again
|
You've Been Framed
|
Three Stars means...
Good. Basically good cinematography, and with signs of using pleasing compositions. Sound appropriate and well balanced. Clear structure and planning. Appropriate pace. Acting good enough not to spoil the story. Flows reasonably well with few distractions. Overall the film largely holds the viewer’s attention.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
Good. Basically good cinematography, and with signs of using pleasing compositions. Sound appropriate and well balanced. Clear structure and planning. Appropriate pace. Acting good enough not to spoil the story. Flows reasonably well with few distractions. Overall the film largely holds the viewer’s attention.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
