Active
|
Am I Dreaming?
|
Another Perfect Day
|
The Beaten
|
Title |
Film maker / From |
Active |
Lorena Castellanos / USA |
Am I Dreaming? |
Jake Lee / Surrey, UK |
Another Perfect Day |
Devlin Murphy / Ireland |
Beaten, The |
Howard Smith / Wolverhampton, UK |
Cat & Curtains |
Robin Harvey / Staffordshire, UK |
City, The |
Mike Pill / UK |
City, The |
Elina Myshanych / Ukraine |
Collage |
Marius Conrotto / Spain |
Cat & Curtains
|
The City (Mike Pill)
|
The City (Elina Myshanych)
|
Collage
|
The Contest
|
A Dream Come True
|
The Engulfed Cathedral
|
F**k It. It's Over
|
Title |
Film maker / From |
Contest, The |
Andreas Bierl / Germany |
Dream Come True, A |
Karl-Heinz Schmidt / Germany |
Engulfed Cathedral, The |
Larry Hall / Sheffield, UK |
F**k It. It's Over |
Hardeep Giani / London, UK |
Firing Line, The |
Howard Smith / Wolverhampton, UK |
First Patient, The |
Jordan Battiste / USA |
Found and Lost |
Howard Smith / Wolverhampton, UK |
Free |
Lewis Boudier / UK |
The Firing Line
|
The First Patient
|
Found and Lost
|
Free
|
From Jungle to Global Stage
|
Full Disclosure
|
Glow
|
Guards
|
Title |
Film maker / From |
From Jungle to Global Stage |
Suzy Sommer / Luxembourg |
Full Disclosure |
Ken Wilson / Wakefield, UK |
Glow |
Wenzel Schöne / Germany |
Guards |
Werner Haegeman / Belgium |
High Strangeness |
Peter Warrington / Cleethorpes, UK |
I Know an Old Lady who Swallowed a Fly |
Roger Fowles / Kent, UK |
Immigrant |
Nilram Rangbar / Iran |
Julienne of Light Bulbs |
Dave Lojek / Germany |
High Strangeness
|
I Know an Old Lady who Swallowed a Fly
|
Immigrant
|
Julienne of Light Bulbs
|
Justice
|
The Keeper
|
London's Exo Skeletons
|
Luna
|
Title |
Film maker / From |
Justice |
Joshua J. Taylor / London, UK |
Keeper, The |
Ingrid Ulst / Estonia |
London's Exo Skeletons |
Graham Ralls / Croydon, UK |
Luna |
Howard Smith / Wolverhampton, UK |
Navigating the Net |
Drama at St. Luke's CE Primary / Rugby, UK |
Neutonic |
Ben Bayliss / London, UK |
Niagara |
Alan McDonald Sinclair / Caithness, UK |
No Looking Back |
Larry Hall / Sheffield, UK |
Navigating the Net
|
Neutonic
|
Niagara
|
No Looking Back
|
Norwegian Lights
|
Paranoia
|
Resolution
|
The Rise of A.I.
|
Title |
Film maker / From |
Norwegian Lights |
Martin Sunderland / Leeds, UK |
Paranoia |
Ken Wilson / Wakefield, UK |
Resolution |
Larry Hall / Sheffield, UK |
Rise of A.I., The |
Larry Hall / Sheffield, UK |
Rosa & Ada |
Richard Scarsbrook / Trafford, UK |
Second From the End |
Howard Smith / Wolverhampton, UK |
Secrets of Bishop's Knoll, The |
BFVS Filmmaking in Bristol / UK |
Serendipidist, The |
Peter Haesendonck / Belgium |
Rosa & Ada
|
Second From The End
|
The Secrets of Bishop's Knoll
|
The Serendipidist
|
Silver Screen, Nigel Diptus at Royal William Yard
|
Summer's End
|
Terminated Link
|
That Grey Area
|
Title |
Film maker / From |
Silver Screen, Nigel Diptus at Royal William Yard |
Pip Critten / Plymouth, UK |
Summer's End |
Bob Tsang / London, UK |
Terminated Link |
Vidas Kalibatas / Berkshire, UK |
That Grey Area |
Howard Smith / Wolverhampton, UK |
Their Final Journey |
John Sharp / Kent, UK |
Thin Place, The |
Guido Haesen, Luxembourg |
Trip-Papa-Angela |
Martin Dolezal / Czech Republic |
Their Final Journey
|
The Thin Place
|
Trip-Papa-Angela
|
Four Stars means...
Very good. It is expected that the story will hang together well as an artistic whole. This standard of film would have something special about it: perhaps something original in the treatment of the subject, or something out of the ordinary about the content, or be technically creative. It may, however, have minor flaws which detrimentally affect the audience appeal.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
Very good. It is expected that the story will hang together well as an artistic whole. This standard of film would have something special about it: perhaps something original in the treatment of the subject, or something out of the ordinary about the content, or be technically creative. It may, however, have minor flaws which detrimentally affect the audience appeal.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
