BIAFF 2021 - FOUR STAR AWARDS |
|
Title |
Film maker / From |
Hut, The |
Robin Slater, Tamworth |
In Search of the Hoopoe |
John Jones FACI, Essex |
Justice |
Julian Austwick, Birmingham |
Last Lines |
Ned Cordery, U.S.A. |
Lockdown |
John Jones FACI, Essex |
Lucky Nelson |
Richard Scarsbrook, Altrincham |
Makrokosmos |
Jürgen Bergmann & Bergit Bergmann, Germany |
Man who paints Hummingbirds, The |
Paula Webster, Leics. |
Mirror to the Mind, A |
Peter Silk, Essex |
My Old Bedroom Window |
Richard Scarsbrook, Altrincham |
Nothing But A Man |
Tony Grant, Dumfries and Galloway |
Paul's Lockdown Story |
John Howden FACI, Essex |
Title |
Film maker / From |
Pond and a Rant, A |
Richard Scarsbrook, Altrincham |
Preston's |
John Howden FACI, Essex |
Puffins of Skomer Island SW Wales, The |
Peter J. Durnall AACI, Stoke-on-Trent |
Rock, The |
Paula Webster, Leics. |
Rookie |
Vidas Kalibatas, U.K. |
Rosanna's Nature Reserve Staffordshire |
Peter J. Durnall AACI, Stoke-on-Trent |
Rosebrook |
Steven Lancefield, U.K. |
Sheiai Eyes |
Nathaniel Bertram, U.K. |
Sons of the Savanna |
Paula Webster, Leics. |
State of Things as They Are, The |
Stephanie Kyek, Portugal |
Street Ratz |
Austin Hill, U.K. |
Toppy |
Howard-Smith, West Midlands |
Vivarais Revisited, The |
John Astin FACI, Herts. |
War On Pears |
Werner Haegeman, Belgium |
Why We are Unhappy in Cities |
Gang Zhao, China |
Why? |
Alastair Marshall, U.K. |
Four Stars means...
It is expected that the story will hang together well as an artistic whole.
This standard of film would have something special about it: perhaps something original in the treatment of the subject, or something out of the ordinary about the content, or be technically creative.
It may, however, have minor flaws which detrimentally affect the audience appeal.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
It is expected that the story will hang together well as an artistic whole.
This standard of film would have something special about it: perhaps something original in the treatment of the subject, or something out of the ordinary about the content, or be technically creative.
It may, however, have minor flaws which detrimentally affect the audience appeal.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.