BIAFF 2023
TWO STAR AWARDS
604
|
Abstraction
|
And Then Our World Died
|
Audrey Taylor Artist
|
Back to the Woods
|
Bacteria
|
Bin there, got the Tee Shirt
|
Title |
Film Maker / From |
604 |
Mandy Carr / UK |
Abstraction |
Michael Slowe / UK |
And Then Our World Died |
James Chalmers / UK |
Audrey Taylor Artist |
Ned Cordrey / USA |
Back to the Woods |
Nuneaton Moviemakers / UK |
Bacteria |
Vittorio Caratozzolo / Italy |
Bin there, got the Tee Shirt |
Michael Finney / UK |
Blacksugar |
Duane Emsley / UK |
Bob's Buses |
Gerald Bishop / UK |
Check It |
Robin Slater / UK |
Ciuciu |
Bernhard Zimmermann / Germany |
consistance saine (healthy consistency) |
Sukie Gethin / USA |
Blacksugar
|
Bob's Buses
|
Check It
|
consistance saine
|
Dale
|
Demolition
|
Dour
|
Fonts
|
Title |
Film Maker / From |
Dale |
Ginebra Garcia Giner, Meadow Armiger, Mia Kendall / UK |
Demolition |
Patrick Woodcock / UK |
Dour |
Ray Grover / UK |
End Of History, The |
Zac Cooper / Australia |
Fonts |
Albert Noble / UK |
For two pins... |
Albert Noble / UK |
Four letter word, A |
Bhaskar Roy / USA |
Frederick's Legacy |
Alan Wallbank / UK |
Good Day in the Office, A |
Leicester Movie Makers |
Have To Go |
Ian Anthony Bennett / UK |
For two pins...
|
A four letter word
|
Frederick's Legacy
|
A Good Day in the Office
|
Have To Go
|
Holiday Fortnight
|
Howard's (70th) Birthday
|
Insolence policière (Police Insolence)
|
Living with the Coronavirus
|
Local News Website Disorder
|
Title |
Film Maker / From |
Holiday Fortnight |
Patrick Woodcock / UK |
Howard's (70th) Birthday |
Steve Jakab / UK |
Insolence policière (Police Insolence) |
Pierre Hugo Bernatchez / Canada |
Living with the Coronavirus |
Vittorio Caratozzolo / Italy |
Local News Website Disorder |
Richard Steele / UK |
Look Look on a Tuk Tuk |
Charles Lee / UK |
Love of a Horse and a Whale |
Anastasia Shinkarenko / Ukraine |
Memoriam |
BFVS Filmmaking in Bristol / UK |
Mountains of Niflheim, The |
Bob Smadja / Switzerland |
Murder in Suburbia |
Peter Wischhusen / UK |
Look Look on a Tuk Tuk
|
Love of a Horse and a Whale
|
Memoriam
|
The Mountains of Niflheim
|
Murder in Suburbia
|
The Ocean Monarch and Lelia
|
One Summer on Earth
|
Pin the tail on the Donkey
|
Post Mortem
|
Title |
Film Maker / From |
Ocean Monarch and Lelia, The |
Anthony Griffiths / UK |
One Summer on Earth |
J. Taylor-Jones / UK |
Pegland |
Albert Noble / UK |
Pin the tail on the Donkey |
Robin Slater / UK |
Post Mortem |
Toby Haslam / UK |
Reincarnation |
Janardhan Medasani / UK |
Remembering Zebu |
James Chalmers / UK |
Remembrance Night |
Marie Lovell & John Cairns / UK |
Ring, The |
Michael Slowe / UK |
Rise, fall, hope |
Alexandra Delgra, Tiana Distefano, Nina Fiala, Kevin Lu, Alice Phelan, Merlin Puhr, Angelo Schiroky / Austria |
Reincarnation
|
Remembering Zebu
|
Remembrance Night
|
The Ring
|
RISE, FALL, HOPE
|
Silent Sirens
|
They Saw You
|
Trogir - City of Dragons
|
Tyrannosaurus Blues
|
Title |
Film Maker / From |
Silent Sirens |
Neil Sandhoefner / USA |
They Saw You |
Vittorio Caratozzolo / Italy |
Trogir - City of Dragons |
Keith Rossiter / UK |
Tyrannosaurus Blues |
Vittorio Caratozzolo / Italy |
Ups and Downs of Prison Life, The |
Geoff Hodgkinson / UK |
Vitamin D(Estruction) |
Felix Harris, Lewis Lehrfreund / UK |
What Is FPV? |
Steve Jakab / UK |
Winged |
Jesse Nganga / USA |
Ups and Downs of Prison Life
|
Vitamin D(Estruction)
|
What is FVP?
|
Winged
|
Two Stars means...
The work is a ‘Near Miss’ by the filmmaker. They may have tried some brave or novel ideas which the judges believed didn’t work.
Apart from shortcomings in the concept, there may have been technical or constructional issues: Cinematography may be inadequate with little sign of attractive or well-composed images. Sound may be uneven.
Story may feel too long. The film may fail to show an adequate sense of purpose/structure/timing. Voiceover may state the obvious. Editing may not flow.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
The work is a ‘Near Miss’ by the filmmaker. They may have tried some brave or novel ideas which the judges believed didn’t work.
Apart from shortcomings in the concept, there may have been technical or constructional issues: Cinematography may be inadequate with little sign of attractive or well-composed images. Sound may be uneven.
Story may feel too long. The film may fail to show an adequate sense of purpose/structure/timing. Voiceover may state the obvious. Editing may not flow.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
