BIAFF 2024
TWO STAR AWARDS
Title |
Film Maker / From |
Amleto - Hamlet. A Grammar Test on the Use of the Verb "to Be" |
Vittorio Caratozzolo & Class 2 A (2022-23) / Italy |
Apidae |
John Howden / Chelmsford UK |
Aspiration To Become A Binman, The |
Darragh O'Rourke / Ireland |
Autumn in their Years |
Michael Finney / Birmingham UK |
Bad Monday |
Gary Smith / Huddersfield UK |
Brief Immersion |
Guido Haesen / Luxemburg |
Brush with Death |
Bill Crookston / Kilmacolm UK |
Castle Valley (The Curse of Toby Martins) |
Duane Emsley / UK |
Chasing the Ice |
Adrian Battersby / Warrington UK |
Christmas Carol, A |
Alan Rowe / UK |
Christmas Tree Story, The |
Christopher Morgan / Southwater UK |
Crossroads |
Paul Warwick / UK |
Title |
Film Maker / From |
Dancing on the Edge |
BFVS Film Making in Bristol / UK |
David's 3 Wishes |
Ian John Simpson / Leeds UK |
Dear Sister |
Gary Smith / Huddersfield UK |
Dwelling: A Measure of Life in the Atlanta Forest |
Sasha Tycko / USA |
Epic Adventures of Eddy Hyland (an AI film), The |
Pat Duggan / UK |
Essere a Roma (To Be In Rome) |
Steve Oldfield / Norwich UK |
Europe is there. The Europe we like |
Vittorio Caratozzolo & Class 2 A (2022-23) / Italy |
Farewell Poem |
Keyan Jin / China |
Fellows Hall |
Roman Gerodimos / London UK |
Flat Caps And Ferrets |
Gary Smith / Huddersfield UK |
Flick the Clown |
Paul Oliver / Southend on Sea UK |
Title |
Film Maker / From |
Fly |
Vidas Kalibatas / UK |
Fox |
Sutton Coldfield Movie Makers / UK |
Frederick Birks VC MM |
Anthony Griffiths / Prestatyn UK |
Free Fall |
BFVS Film Making in Bristol / UK |
Friends Across The Bay |
Malcolm Imhoff / Sutton Coldfield UK |
From Tipple to Tee |
Sydney Worden / Canada |
Galaxy Song |
Gary Smith / Huddersfield UK |
Her Diamond Exhibition |
Larissa Britton / Russian Federation |
Izzy |
BFVS Film Making in Bristol / UK |
Just Drive |
James Dudley / USA |
Kevin's Shed |
Gary Smith / Huddersfield UK |
Title |
Film Maker / From |
Keys |
EBOFF Film Group / Enfield UK |
Kink |
Vidas Kalibatas / UK |
Last Rites |
John Howden / Chelmsford UK |
Lest We Forget |
John Howden / Chelmsford UK |
Little Anonymous Mobile Phone Users |
Vittorio Caratozzolo & Class 2 A (2022-23) / Italy |
Louise |
Orpington Video Film Makers / UK |
Magic Circles |
Peter Silk / Manningtree UK |
Message, The |
EBOFF Film Group / Enfield UK |
Mixed Match |
Vittorio Caratozzolo & Class 2 A (2022-23) / Italy |
Model World, A |
Gary Smith / Huddersfield UK |
Musicality |
Graham Ralls / South Croydon UK |
Title |
Film Maker / From |
My Dad and Me |
Felix Blunden / UK |
Mysterious Death Of Susan Moore, The |
EBOFF Film Group / Enfield UK |
Ocean Monarch and Lelia, The |
Anthony Griffiths / Prestatyn UK |
Office Pranks |
EBOFF Film Group / Enfield UK |
Revenge |
John Smith / Conwy UK |
Riverfest 2023 |
Robert Scotton / UK |
Romance Scammer, The |
EBOFF Film Group / Enfield UK |
Saidist, The |
Kaiyue (Ethan) Guan / USA |
Second Spring |
Richard Steele / UK |
Selkirk Common Riding |
Frank Brown / UK |
Sleepily Sleepless |
Vittorio Caratozzolo & Class 2 A (2022-23) / Italy |
Title |
Film Maker / From |
Sometimes Miracles Do Happen |
John Smith / Conwy UK |
Son of Jack |
John Anscomb / Leatherhead UK |
Soon Sorted |
John Smith / Conwy UK |
Spider Man |
Gary Smith / Huddersfield UK |
Spirit of Norway |
Adrian Battersby / Warrington UK |
Steamy Affair, A |
Jill K. Bunting / Conwy UK |
Strange Story of Blasting Betty, The |
William Samson / UK |
Suzie Visits Chatsworth |
Michael Finney / Birmingham UK |
Tall Ship & The Aegean, A |
David R. Machin / Rotherham UK |
Time Flies |
Jill K. Bunting / Conwy UK |
Tree Felling |
Dr. Stephen Vogel / Germany |
Title |
Film Maker / From |
Tribute to the Starry-Eyed Girl, A |
Zoe Epperson / USA |
We Are On The Right Lines 2 |
Michael Camps / Brighstone UK |
What a Wonderful World? |
Michael Camps / Brighstone UK |
Who Are We |
Susanna Prummer / Austria |
With Silence and Tears |
Richard Steele / UK |
Woof |
Manfred Hennig / Germany |
Two Stars means...
The work is a ‘Near Miss’ by the filmmaker. They may have tried some brave or novel ideas which the judges believed didn’t work.
Apart from shortcomings in the concept, there may have been technical or constructional issues: Cinematography may be inadequate with little sign of attractive or well-composed images. Sound may be uneven.
Story may feel too long. The film may fail to show an adequate sense of purpose/structure/timing. Voiceover may state the obvious. Editing may not flow.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
The work is a ‘Near Miss’ by the filmmaker. They may have tried some brave or novel ideas which the judges believed didn’t work.
Apart from shortcomings in the concept, there may have been technical or constructional issues: Cinematography may be inadequate with little sign of attractive or well-composed images. Sound may be uneven.
Story may feel too long. The film may fail to show an adequate sense of purpose/structure/timing. Voiceover may state the obvious. Editing may not flow.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.