BIAFF 2022
TWO STAR AWARDS
3 Places
|
Animated Gifs:Celebrating Scientific Genius
|
Beautiful Duckling
|
Blindfolded
|
But Soft What Light Through Yonder Window Breaks
|
Title |
Film Maker / From |
3 Places |
Pat Duggan, Bury |
Animated Gifs:Celebrating Scientific Genius |
Stuart Taylor, Oxfordshire |
Beautiful Duckling |
Konstancja Taraszka, Poland |
Blindfolded |
James Melville, Surrey |
But Soft What Light Through Yonder Window Breaks |
Debbie Daniels & Jill Lampert, Birmingham |
Change! |
David Waters & Robert Farquharson, Australia |
Chapter 1 |
Nataly Chehade, Lebanon |
Christmas Murder, A |
Rob Jon Andrews, Suffolk |
Cold Call |
Lee Relph, Orpington |
Cop and Robber |
Bristol Film and Video Society, Bristol |
Change!
|
Chapter 1
|
A Christmas Murder
|
Cold Call
|
Cop and Robber
|
Dandie Dinmonts Return
|
Do What's Right
|
Doctor Johnson and Mrs Thrales visit to North Wales in 1744
|
Doctor Who Episode 2 - Master of Death
|
Doctor Who episode 5 - Master of Deception (part 2)
|
Title |
Film Maker / From |
Dandie Dinmonts Return |
Francis J. Brown, Selkirk |
Do What's Right |
Daniel Caballero, United States |
Doctor Johnson and Mrs Thrales visit to North Wales in 1744 |
Tony Griffiths, North-West |
Doctor Who Episode 2 - Master of Death |
Peter Trengove, Amlwch |
Doctor Who episode 5 - Master of Deception (part 2) |
Peter Trengove, Amlwch |
Doctor Who episode 6 - Master of Dimensions |
Peter Trengove, Amlwch |
Dweller in the Woods, The |
Josh Finkenbinder & Michael Matula, United States |
Echo Chamber, The |
James Piercy, Birmingham |
Exercising Rexy |
Bristol Film and Video Society, Bristol |
Experiment |
Roy de Boise, Surrey |
Doctor Who episode 6 Master of Dimensions
|
The Dweller in the Woods
|
The Echo Chamber
|
Exercising Rexy
|
Experiment
|
Food for Thought
|
Forget Me Not
|
Fortuna
|
Frankenstein Meets The Invisible Man
|
Futile Attempts
|
Title |
Film Maker / From |
Food for Thought |
Gordon Bullock, West Midlands |
Forget Me Not |
Ben Miller, United Kingdom |
Fortuna |
Larisa Britton, United Kingdom |
Frankenstein Meets The Invisible Man |
Roger Fowles, Chatham |
Futile Attempts |
Evgeniya Papina, Uzbekistan |
Garden, The |
Roy de Boise, Surrey |
Ghost Town Lockdown |
Alan Cross, Worthing |
Gilberts Big Belstone Tor Challenge 2021 |
Chris Walpole, Okehampton |
Gunthorpe Bridge |
Robert Scotton, United Kingdom |
Hamartia |
Sophie Chamoux, France |
The Garden
|
Ghost Town Lockdown
|
Gilberts Big Belstone Tor Challenge 2021
|
Gunthorpe Bridge
|
Hamartia
|
Haunted Houses a Poem by Henry Wadsworth Longfellow
|
Hidden Delights at the Isle of Wight Steam Railway
|
Hopper
|
The House at the End
|
Inbuvable Feu
|
Title |
Film Maker / From |
Haunted Houses a Poem by Henry Wadsworth Longfellow |
Brian Marjoram, Grayshott |
Hidden Delights at the Isle of Wight Steam Railway |
John Bartlett, Ryde |
Hopper |
Tin Brendel, Germany |
House at the End, The |
Neil Harget, Brentood |
Inbuvable Feu |
Altrincham Video Society, Stockport |
Incommunicado |
Steve Oldfield, Norfolk |
Inner Demons |
Mihnea Cernat, Romania |
James Bond Theme, The |
Roger Fowles, Chatham |
Jivchiki |
Kamila Yakubova, Uzbekistan |
Josh's Hot Chocolate |
John Howden, FACI - Chelmsford |
Incommunicado
|
Inner Demons
|
The James Bond Theme
|
Jivchiki
|
Josh's Hot Chocolate
|
Kitchen Disco
|
Klubok
|
Leeds by Night
|
LEGO Puzzling in Lockdown 2021
|
Let's go to the Movies
|
Title |
Film Maker / From |
Kitchen Disco |
Paul Fielding, Solihull |
Klubok |
Surayyo Tashpulatova, Uzbekistan |
Leeds by Night |
Tom Wright, Leeds |
Lego Puzzling in Lockdown 2021 |
Peter Noakes, Colchester |
Let's go to the Movies |
Derek Mathieson, Co. Durham |
Leuchie House Celebrates |
Hugh Trevor, East Lothian |
Liv & Janey |
Howard-Smith, Wolverhampton |
Local Rewilding |
Bristol Film and Video Society, Bristol |
Marmalade Mystery, The |
Jill K. Bunting, Conwy |
Mercury Rising: Gala Opening |
Paul Desmond, Essex |
Leuchie House Celebrates
|
Liv & Janey
|
Local Rewilding
|
The Marmalade Mystery
|
Mercury Rising: Gala Opening
|
Money
|
The Monk and the Singing Nightingale at Basingwerk Abbey
|
Mr. Fitzpatrick's
|
My Red Ball
|
The Mystery of the Stolen Necklace
|
Title |
Film Maker / From |
Money |
Janardhan Medasani, Warrington |
Monk and the Singing Nightingale at Basingwerk Abbey, The |
Tony Griffiths, North West |
Mr Fitzpatrick's |
David Hutchinson, Colwyn Bay |
My Red Ball |
Esabella Strickland, Canada |
Mystery of the Stolen Necklace, The |
The Faraday Prep School, London |
Not My Girl |
Roger Fowles, Chatham |
One Perfect Day |
Ken Wilson, Wakefield |
Opekkha (Waiting) |
Zohra Rahman Titlee, Bangladesh |
Operation Ashton |
Mike Heap, Stockport |
Our Alley Sparrows |
Zhivar Ferajzadeh, Iran |
Not My Girl
|
One Perfect Day
|
Opekkha (Waiting)
|
Operation Ashton
|
Our Alley Sparrows
|
Paint Me a Picture of Scotland
|
Pandemic Promenade
|
Paradise Lost
|
Parmi les Vivants (Among the Living)
|
Party Popperz - Back on the Road
|
Title |
Film Maker / From |
Paint Me a Picture of Scotland |
Neville Coulton, Australia |
Pandemic Promenade |
Alan Cross, United Kingdom |
Paradise Lost |
Howard Johnson, West Sussex |
Parmi les Vivants (Among the Living) |
Patrice Ricordeau, France |
Party Popperz - Back on the Road |
Paul Fielding, Solihull |
Past, Present and Hopefully a Future of Ashton Court Mansion House |
Bristol Film and Video Society, Bristol |
Patience ... Rewarded |
D.J. Belton, Merseyside |
Preference |
Mircho Hristov, Bulgaria |
Queens in Kicks |
Rodger Ball, Stockport |
Quiet Please! |
Tynemouth Video Film Making Group, North Shields |
Past, Present and Hopefully a Future of Ashton Court Mansion House
|
Patience Rewarded
|
Preference
|
Queens in Kicks
|
Quiet Please!
|
Rocky Plantation
|
Rutland Osprey
|
Separate Lives
|
Sheringham Park May 2021
|
The Shingle Shore
|
Title |
Film Maker / From |
Rocky Plantation |
Paula Webster, Leicestershire |
Rutland Osprey |
Tony Ward, Leicestershire |
Separate Lives |
Bristol Film and Video Society, Bristol |
Sheringham Park May 2021 |
Robert Scotton, United Kingdom |
Shingle Shore, The |
John Jones, Essex |
Six Sins |
Bristol Film and Video Society, Bristol |
Some Thoughts on Time |
Michael Camps, Brighstone, IoW |
Studio Sitcom, episode 3 - Fit, The |
Paul Fielding & Julian Austwick & Robin Slater, Tamworth |
Super Ballroom Dancing |
Kimberly Bogin, United States |
Taste of Summer, A |
Pat Duggan, Bury |
Six Sins
|
Some Thoughts on Time
|
The Studio Sitcom, episode 3 - Fit
|
Super Ballroom Dancing
|
A Taste of Summer
|
Tell Me This Will Not Happen to Me
|
The Telscombe Hauntings
|
Ten Dark Years
|
Terns at Hodbarrow
|
Title |
Film Maker / From |
Tell Me This Will Not Happen to Me |
Neville Coulton, Australia |
Telscombe Hauntings, The |
Steven Lancefield, Telscombe Cliffs |
Ten Dark Years |
Daniel McLaren, New Zealand |
Terns at Hodbarrowe |
D.J. Belton, Merseyside |
Tom Sawyer |
Pat Duggan, Bury |
Tunnel, The |
Gary Peterson, Australia |
Twitcher, The |
Bristol Film and Video Society, Bristol |
Wonders of Nature: The Stinkhorn Fungus, The |
Robert Farquharson, Australia |
Tom Sawyer
|
The Tunnel
|
The Twitcher
|
The Wonders of Nature: The Stinkhorn Fungus
|
Two Stars means...
The work is a ‘Near Miss’ by the filmmaker. They may have tried some brave or novel ideas which the judges believed didn’t work.
Apart from shortcomings in the concept, there may have been technical or constructional issues: Cinematography may be inadequate with little sign of attractive or well-composed images. Sound may be uneven.
Story may feel too long. The film may fail to show an adequate sense of purpose/structure/timing. Voiceover may state the obvious. Editing may not flow.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
The work is a ‘Near Miss’ by the filmmaker. They may have tried some brave or novel ideas which the judges believed didn’t work.
Apart from shortcomings in the concept, there may have been technical or constructional issues: Cinematography may be inadequate with little sign of attractive or well-composed images. Sound may be uneven.
Story may feel too long. The film may fail to show an adequate sense of purpose/structure/timing. Voiceover may state the obvious. Editing may not flow.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
