BIAFF 2022
FOUR STAR AWARDS
Apotheosis
|
Arundel - A Walk Through Time
|
Beyond the Strings
|
Blink
|
Board Gap
|
Candle Wick
|
The Chapel
|
The Choice
|
Title |
Film maker / From |
Anywhere But Here |
Maitry Rao, United Kingdom |
Apotheosis |
Robert Nelson, United States |
Arundel - A Walk Through Time |
South Downs Film Makers, West Sussex |
B Movie, The |
Richard Bray, United Kingdom |
Behind the Scenes of Dead Air |
Geoff Harmer, Basingstoke |
Beyond the Strings |
Marcel de Jonghe & Peter Haesendonck, Belgium |
Blink |
Geoff Harmer, Basingstoke |
Board Gap |
Ilias Mathioudakis, Greece |
Ça Va? |
Felix Aaronson, United States |
Candle Wick |
Oliver Gallagher, United Kingdom |
Century Restoration |
Jonathan Wilde, Hailsham |
Change in Time, A |
Pat Knight, United Kingdom |
Chapel, The |
Graham Ralls, United Kingdom |
Charming Chimes |
Peter Haesendonck & Marcel De Jonghe, Belgium |
Choice, The |
Channel 7 Productions, St. Neots |
Cockpit, The |
Andres Ortiz Pinilla, United Kingdom |
Codex Oros Edemos
|
Dancing In the Wind
|
Danny's Red Box
|
Dead Tonight
|
Denendeh, Land of the People
|
Fox and Penguin
|
The House
|
Jabberwocky
|
Title |
|
Codex Oros Edemos |
Akis P. Tix, Cyprus |
Dancing in the Wind |
Suzy Sommer, Luxemburg |
Danny's Red Box |
Michael Slowe, London |
Dead Tonight |
Howard-Smith, Wolverhampton |
Denendeh, Land of the People |
Guido Haesen, Luxemburg |
Dream Rides |
BFVS Film Making In Bristol, Bristol |
Fall to Spring |
Graham Ralls, United Kingdom |
Fox & Penguin |
Dave Lojek, Germany |
Honestly |
Howard-Smith, Wolverhampton |
House, The |
BFVS Film Making In Bristol, Bristol |
Ice and Heat - Where Extremes Meet |
Toni Ackstaller, Germany |
Jabberwocky |
Peter Silk, Manningtree |
Living with Asperger Syndrome |
James Chalmers & Sue Bence, Cheshire |
Lockdown Lullaby |
Bristol Film and Video Society, Bristol |
Magic Presence |
Paul Desmond, Essex |
Malloe |
Eilin Berrio Pena, United Kingdom |
Mary Rose the True Story |
David Skertchly, United Kingdom |
Living with Asperger Syndrome
|
Mary Rose the True Story
|
The Model
|
My Mother Looks Like a Microwave Oven
|
Our Top Ten Birds
|
Rock Cakes
|
Serok
|
Telephone Booth
|
Title |
Film maker / From |
Maze D’Or |
Nikolay Dulesov, Russian Federation |
Model, The |
Larry Hall, United Kingdom |
Moments in Time |
Suzy Sommer, Luxemburg |
Morality of Lying, The |
Howard-Smith, Wolverhampton |
My Journey South |
Clive Rathband, Wiltshire |
My Mother Looks Like a Microwave Oven |
Dante Rustav Films, Uzbekistan |
No Comment |
Zhivar Ferajzadeh, Iran |
Possessed |
Arun Ramanathan, Cambridge |
Remains of a Childhood, The |
Guido Haesen, Luxemburg |
Rock Cakes |
Robin & Julie Slater, Tamworth |
Self Assessment |
Howard-Smith, Wolverhampton |
Serok |
Zhivar Ferajzadeh, Iran |
Side Quest |
Jess Hiles, United Kingdom |
South America: Our Top Ten Birds |
Paula Webster, Leicestershire |
Stockhausen Syndrome |
Howard-Smith, Wolverhampton |
Telephone Booth |
Katie Kuan, Macao |
These Days |
Roger Fowles, Chatham |
This Is the End
|
Those Who Look Into the Sun Cannot See the Stars
|
To Accept Myself
|
Toc-Toc
|
Title |
Film maker / From |
This is the End |
Howard-Smith, Wolverhampton |
Those Who Look Into the Sun, Cannot See the Stars |
Matthias Spehr & Noemi Clerc, Germany |
Time |
Patrick Duggan, United Kingdom |
Tits and More |
Michael Slowe, London |
To Accept Myself |
Tatyana Tyo, Uzbekistan |
Toc-Toc (Knock-Knock) |
Sophie Chamoux, France |
Wild Boys |
Michal Stenzel, Poland |
Wild Ken Hill |
Paula Webster, Leicestershire |
Zebra |
Michael Slowe, London |
Four Stars means...
It is expected that the story will hang together well as an artistic whole.
This standard of film would have something special about it: perhaps something original in the treatment of the subject, or something out of the ordinary about the content, or be technically creative.
It may, however, have minor flaws which detrimentally affect the audience appeal.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
It is expected that the story will hang together well as an artistic whole.
This standard of film would have something special about it: perhaps something original in the treatment of the subject, or something out of the ordinary about the content, or be technically creative.
It may, however, have minor flaws which detrimentally affect the audience appeal.
Clearly each rating will inevitably cover a range of attainment levels, and will be subjective to some degree; film is a work of art not science.
Please also be aware that the general standard of films drifts over time.
